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Real Full Black Boys Album From Baby to Present

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Vocal group consisting of young males

A boy band or male child grouping is loosely divers as a song group consisting of immature male person singers, usually in their teenage years or in their twenties at the fourth dimension of germination,[1] singing love songs marketed towards girls. Many boy bands trip the light fantastic toe equally well equally sing, usually giving highly choreographed performances.

Some such bands form on their ain, frequently evolving out of church building choral or gospel music groups. In contrast, many are created by talent managers or tape producers who hold auditions. Due to this and their general commercial orientation towards a female audience of preteens, teenyboppers, or teens, the term tin be pejorative in music journalism. Boy bands are like in concept to their counterparts, girl groups. Male child bands' popularity peaked four times: in the 1960s (e.grand., the Jackson v and the Osmonds), in the 1990s and early 2000s when acts such as the Have That, Backstreet Boys, *NSYNC, Boyzone, F4, and Westlife, among others, dominated global popular charts similar the American Billboard, in the early 2010s with the emergence of popular new boy bands such equally Big Time Rush, One Direction, and The Wanted, and in the late 2010s and early 2020s with K-pop acts like BTS, Exo, Seventeen and NCT, and pop groups such every bit CNCO, Why Don't We and PrettyMuch.

History

Early history

The earliest forerunner of boy band music began in the belatedly 19th century every bit a cappella barbershop quartets.[2] They were commonly a group of males and sang in four-role harmonies. Barbershop quartets were popular into the earlier office of the 20th century. A revival of the male song group took place in the late 1940s and 1950s with the use of doo-wop music. Doo-wop bands sang almost topics such as dear and other themes used in pop music. The primeval traces of boy bands were in the mid-1950s although the term boy band was not used. African American vocal group The Ink Spots was one of the outset of what would now be called male child bands. The term boy band was non established until the late 1980s as before that they were called male vocal groups or "hep harmony singing groups".[3]

Although generally described equally a rock band, the highest-selling band in history The Beatles are considered by a number of journalists as "the outset" or "the original" boyband, "earlier anyone had thought of the term."[4]

The Liverpool quartet known as The Beatles were not only the quintessential rock ring, but many considered John Lennon, Paul McCartney, George Harrison and Ringo Star [sic] to be the original male child band – especially in the early on 1960s when immature girls would scream at the elevation of their lungs and pass out upon first sight of the "Fab Four."

The Beatles inspired the production of the 1966 tv set series The Monkees,[6] which spawned the music grouping of the same proper name, formed by the 4 starring actors. The rock and pop band started a career in music after their songs from the Television serial were released equally successful records.[five]

Late 1960s and 1970s: The Jackson 5 and the Osmonds

Although the term "male child band" was not normally used then, the primeval predecessors of this format were groups such equally the Jackson 5 and the Osmonds which helped form the template for boy bands.[7] [6] The Jackson 5 were a siblings group that established many musical conventions that boy bands follow. For instance, their music featured close harmonies from soul music and catchy pop hooks influenced equally much equally they were past Motown and acts like the Supremes. The group also incorporated choreographed dance moves to their performances. All members of the band sang, which is a common convention of a boy band, as opposed to having a front end man and the rest on instruments; thus, no 1 person dominated the stage.[ citation needed ] Also a siblings grouping, The Osmonds first started singing barbershop music for local audiences, before being hired to perform at Disneyland early in their career. Their appearance in a televised Disney special earned them additional TV spots, such every bit The Andy Williams Show and The Jerry Lewis Show.[five]

Tardily 1970s and 1980s: Menudo, New Edition, and New Kids on the Block

Other antecedents (apart from those already mentioned) exist throughout the history of pop music. The genre has been copied into languages and cultures other than the Anglo-American. The Puerto Rican male child ring Menudo, appealing to young Latina audiences, was founded in 1977. Menudo had a convention unique amongst boy bands: when a fellow member turned 16, became also alpine, or their voice changed, they were replaced. The members of Menudo were generally aged 12–sixteen.

The Bay Urban center Rollers were a Scottish pop band who were most popular in the mid-1970s. The British Hit Singles & Albums noted that they were "tartan teen sensations from Edinburgh", and were "the first of many acts heralded equally the 'Biggest Group since The Beatles' and 1 of the about screamed-at teeny-bopper acts of the 1970s".[8] For a adequately cursory but fervent period (nicknamed "Rollermania"), they were worldwide teen idols. The group were i of the get-go bands, like The Monkees before them, to have the formula shown by The Beatles and apply it to a teen market. The group achieved the aforementioned corporeality of success merely for a express period of time. At the peak of their popularity in the Britain, comparisons were existence made to The Beatles. Also by this time, Bay City Roller fans had a completely distinctive style of apparel, the main elements of which were ankle-length tartan trousers and tartan scarves, the grouping using the benefit of merchandise and promotion.[ix]

The German boy band The Teens formed in West Berlin 1976 and had a couple of hits targeting young females. The band resolved in 1982.[ten]

In the US, the Cleveland-based power popular group Raspberries was by and large interpreted as a "teen act", although all the band members played their own music. Vocaliser Eric Carmen subsequently commented, "It was non hip for people to like us, because their little sis liked us."[11]

Boston group New Edition was formed in 1978 and reached their height of popularity in the 1980s, significant they are often credited for starting the male child-band trend, even though the term "male child ring" did not exist until the 1990s. Maurice Starr was influenced past New Edition and popularized it with his protégé New Kids on the Block, the commencement commercially successful modern boy band, who formed in 1984 and plant international success in 1988. Starr's idea was to take the traditional template from the R&B genre (in this case his teenage ring New Edition) and employ it to a popular genre.

Bros (abbreviation of the word "brothers") were a British boy ring active in the belatedly 1980s and early 1990s, consisting of twin brothers Matt and Luke Goss forth with Craig Logan. Formed in 1986, they scored multiple tiptop 10 hits between 1987 and 1989 and in 1988 became the get-go modern era–style boy band to have a multiple platinum-selling album in the Britain, with Push, even so i of the near successful boy-band albums in the UK. Other big male child bands in United kingdom during the late 1980s were Big Fun and Blood brother Across.

1990s: Boyz II Men, Accept That, Backstreet Boys, NSYNC, and Westlife

Some managers in Europe presently created their own acts afterwards beingness inspired by New Kids on the Block, beginning with Nigel Martin-Smith's Take That in the U.k. (formed in 1990) and followed by Tom Watkins, who had success with Bros in the late 1980s and formed East 17 in 1991. Bros were marketed and pitted against Take That as rivals with a harsher attitude, style and sound. Since reforming in 2006 after a decade-long hiatus, Take That have become one of the most successful groups in British music chart history and their albums and singles have besides charted internationally, especially in Europe. Irish gaelic music manager Louis Walsh, who had witnessed the touch on of these British male child bands, put out an advert for an "Irish Take That", thereby creating Boyzone in 1993. Allow Loose (formed in 1993), MN8 and 911 (formed in 1995), and Damage (formed in 1996) were also successful boy bands in Britain; however, past the late 1990s all these bands had run their class and carve up up.

All these artists were very successful on both the singles and albums charts domestically and internationally; however, with the emergence of Britpop and the commercial co-option of indie rock, many boy bands were ridiculed by the British music press as having no artistic brownie, although some, such as East 17 and Take That, did write almost of their own material. The media attention was then placed on the "Battle of Britpop", and the bands Oasis and Blur replaced the importance and rivalry of Take That and East 17 as the two new biggest bands in Britain. However, boy bands continued to find success in the late 1990s, such every bit Five, Another Level, Point Break and Westlife. In 1995 successful German music manager Frank Farian, who had been manager of Boney M and Milli Vanilli, put together Latin American band No Mercy who scored a few worldwide hits during the mid-90s.

Although being American and the sons of Tito Jackson, a fellow member of The Jackson five, 3T had several hits singles beyond Europe in the mid-1990s, despite express success in the US, and finished the 2nd biggest selling act of 1996 in Europe behind the Spice Girls.[12] With the success of N American male child bands like New Kids on the Cake in East Asia, Japanese entertainment company Johnny & Assembly formed SMAP in 1992. The group enjoyed tremendous success, selling over 35 meg records.[13] It paved the way for more Asian boy bands such as Arashi.

In the early 1990s in North America, with New Kids on the Cake's continued success and Colour Me Badd also having success, boy bands became a continued staple of the Billboard charts. Continuing this success in the mid-1990s, about prominent boy bands were African American and had R&B and gospel elements, such as the groups All-four-Ane (formed in 1993) and Boyz II Men (formed in 1988). Boyz II Men are also the most successful male child band act on the U.S. Hot 100 likewise equally the Australian Singles Chart. Although they had success on the Billboard charts, they were not marketed towards youth but more towards adults. It was not until 1997 and the alter to popular-oriented groups such as Backstreet Boys, 98 Degrees, NSYNC, The Moffatts, and Hanson that boy bands exploded commercially and dominated the market in the United States. This belatedly 1990s marked the top of boy band popularity in N America, which has not been seen since.

Arguably the most successful boy band manager from the U.S. was Lou Pearlman, who founded commercially successful acts such as the Backstreet Boys in 1993, NSYNC and LFO in 1995, O-Boondocks in 2000, and US5 in 2005. Backstreet Boys and NSYNC became the ii biggest boy bands in the late 1990s until the early 2000s, and Backstreet Boys went on to go the acknowledged male child band in history with over 100 meg records sold.[14]

In the late 1990s in the UK, producer Simon Cowell (noted in the U.Southward. for the American Idol/X Factor franchise) is as well known for having managed British boyband Five (formed in 1997) and Irish boyband Westlife (formed in 1998). Westlife was created by Irishman Louis Walsh as a replacement for Boyzone[15] and was initially managed by a former member of the band Ronan Keating. Westlife would eventually overtake Take That in number i's tally in the United kingdom although Take That'southward overall Great britain sales are even so higher. In 2012, the Official Charts Company revealed the biggest selling singles artists in British music nautical chart history with Take That placed 15th overall and the highest selling boyband deed (nine.iii 1000000), followed by Boyzone at 29 (seven.ane million) and Westlife at 34 (six.eight million).[16] [17] [18] Even though Cowell is known to take managed several successful boy bands, he is also infamous for passing on signing two of the biggest boybands to emerge from the 1990s and 2000s, Take That and Disrepair.[19]

2000s: Backstreet Boys, NSYNC, Westlife, Jonas Brothers and F4

With the connected success of Backstreet Boys and *NSYNC, American and British groups like 98 Degrees, Westlife, O-Town, A1, Blue, and Busted gained quick popularity both domestically and internationally. International boy bands would too occasionally spring up, such as the Moldovan band O-Zone (better known today as an Internet meme), and Overground. American Christian boy band Plus One too enjoyed cursory remarkable success during this time.

At the height of boy band popularity in N America, MTV created their own parody boyband, 2gether. Similar the Monkees in the 1960s, they were a manufactured act composed of actors. 2gether played off of the idea that every successful boy band must have five distinct personality types: the bad male child, the shy ane, the young ane, the older brother type, and a heart throb.

Since 2001, the dominance of traditional male child bands on pop charts began to fade in the western hemisphere, although Gil Kaufman of MTV has described "new male child bands" that are "more probable to resemble My Chemical Romance, Sum 41, and Elementary Program.[20]

In 2001, Taiwanese boy ring F4 (called JVKV since 2007)[21] blew up large as a upshot of the success of their Tv drama Shooting star Garden. According to Forbes, F4 has sold 3.five meg copies of their start 2 albums all over Asia equally of July 2003.[22]

With their success, many other Taiwanese boy bands emerged effectually this time, such as 5566 and Fahrenheit. In Republic of korea, Shinhwa also spread hallyu moving ridge throughout Asia such as Japan, Thailand, Singapore, Taiwan, Hong Kong and China. Besides in 2001, a new all-male pop band and trip the light fantastic group boyband hailing from Nihon called Exile debuted under Avex Group's label Rhythm Zone with 14 members, putting them on par with Super Junior, a S Korean male child band, who had 13 members at its pinnacle.[ citation needed ]

Japanese boy band Arashi has sold over 30 one thousand thousand copies of their records since their outset release in 1999.[23] They had the yearly best-selling unmarried in Nihon in 2008[24] and 2009.[25] In 2003 SMAP released the single "Sekai ni Hitotsu Dake no Hana" that has become the 3rd all-time-selling single ever in Japan, with over iii million copies sold.[26]

In N America, the Jonas Brothers rose to fame from promotion on the Disney Channel in 2008. Other boy bands like JLS and Mindless Behavior as well emerged and experienced remarkable success around this fourth dimension. All the same, apart from them, boy bands have non seen the commercial blast experienced in the genre from the mid to late nineties in N America.

The mid 2000s, especially the United Kingdom and the rest of Europe, saw the continued longevity of nineties boy bands such equally Backstreet Boys and Westlife (before they disbanded in 2012), and the successful comeback of Take That in 2005, Boyzone in 2007, and New Kids on the Block in 2008. Some sections of the printing have referred to these acts, especially those who have reformed afterward a previous separate, such as Take That, Boyzone, and 98 Degrees, every bit 'man bands'.[27]

2010s and early 2020s: Big Time Rush, Ane Direction and rise of Grand-pop

In the early 2010s, there was somewhat of a resurgence of boy band popularity in countries where the tendency had not maintained, with the emergence of new boy bands like Big Fourth dimension Rush, The Wanted, and I Management and the formation of supergroup NKOTBSB which comprised members of New Kids on the Cake and Backstreet Boys.[28] NKOTBSB'due south success inspired male child bands who were fairly pop during the 1990s and 2000s to make a comeback, such as A1, Blue, 98 Degrees, Five, 911, and O-Boondocks. Like 2gether and The Monkees, Large Time Rush was a manufactured human action created for a television show. One Direction were often credited as sparking a resurgence in the popularity and interest boy bands alongside being credited with forming part of a new "British Invasion" in the United States.[29] [30] Their Where We Are Tour was the highest-grossing tour by a vocal grouping in history[31] and afterward the release of their 4th album, Four, they became the only grouping in the 58-twelvemonth history of the Billboard 200 to have their first four albums debut at number ane.[32]

In Southeast Asia, local boy bands as well emerged as a result of the continued success of Korean and Japanese boy bands such as SMAP, Sechs Kies, Shinhwa, TVXQ!, Arashi, Exile, Super Junior, Big Blindside, SHINee, Exo, and BTS. One of the boy bands who emerged equally a upshot of Hallyu (Korean moving ridge) is Indonesia's SM*SH who enjoyed prominent success domestically. In the Philippines, a major male child band has been formed by bringing the starting time reality boy band search of the state chosen Pinoy Boyband Superstar which held mid 2016, after all the series of auditions, rigorous training and competition, the winners formed as a group called Boyband PH a 5-piece Pinoy male child band which managed by Star Magic.[33]

In South korea, boy bands have been commercially successful. On the Gaon Music Chart twelvemonth-finish albums chart of 2016, nine of the top ten and 17 of the top xx albums are past boy bands or by subunits/members of boy bands.[34] BTS' Map of the Soul: vii is the best-selling album of all time in Republic of korea, with more than 4.4 million copies sold, and Exo'south XOXO became the first album released since 2001 to sell more than than 1 million copies.[35] [36] Every bit of 2021, boy bands such as Seventeen, NCT and NCT 127 have also become regular million-sellers.[35]

In 2013 Billboard started covering music releases in K-pop, though K-pop had been entering the charts as early as 2009, signifying the growth of the hallyu wave in America.[37] By 2017, BTS crossed into the international music marketplace, furthering the Korean Wave in the United States and becoming the first Korean group to receive a certification by the Recording Industry Association of America (RIAA) with their single "Mic Drib". The band is the commencement Korean act to pinnacle the U.S. Billboard 200 with their studio album Honey Yourself: Tear (2018) and take since hit the top of the U.S. charts with their albums Beloved Yourself: Answer (2018), Map of the Soul: Persona (2019), Map of the Soul: vii (2020) and Be (2020).[38] Dearest Yourself: Answer likewise bankrupt Republic of korea's Gaon Album Nautical chart's all-time monthly record previously prepare past Love Yourself: Tear and became the kickoff Korean album certified Gilded in the Us.[39] SuperM later became the first Chiliad-popular group to debut at No. 1 in the U.Due south. Billboard 200.[forty]

In Nihon, Arashi continue to be very successful, being the all-time-selling music creative person in Nihon from 2013 through 2017[41] by value of sales and as well having the yearly best-selling anthology in the country in 2010, 2011, 2013, 2015 and 2016.[42] [43] [44] [45] [46] Other successful Japanese boy bands in this decade include Sandaime J Soul Brothers, the second acknowledged music artist of 2016 in the country and Kanjani Eight, the fifth all-time-selling music artist of that year in Japan.[47]

Key factors of the concept

Seen every bit important to a "boy band" group'south commercial success is the group'south image, carefully controlled past managing all aspects of the group'due south attire, promotional materials (which are frequently supplied to teen magazines), and music videos. The cardinal factor of a male child band is beingness trendy. This means that the ring conforms to the most recent fashion and musical trends in the popular music scene. Typically, each member of the group will have some distinguishing feature and be portrayed equally having a particular personality stereotype, such as "the baby," "the bad boy," or "the shy one." While managing the portrayal of pop musicians is as erstwhile as popular music, the detail pigeonholing of band members is a defining characteristic of male child and girl bands.

In about cases, their music is written, arranged and produced past a producer who works with the band at all times and controls the group'south sound – if necessary, to the point of hiring session singers to record guide vocals for each member of the group to sing individually if the members cannot harmonize well together. Still, for clarity of each voice, recording each voice individually is about commonly the norm with nigh modern song groups. In contempo years, motorcar-tune has go a pop tool for boy bands who are unable to sing to a high standard. Some boy bands have come nether burn for this issue of using auto-tune. Some have as well come nether burn down for lip syncing in their performances as well, for example New Kids on the Block.[48]

A typical boy ring functioning features elaborately choreographed dancing, with the members taking turns singing and/or rapping. Male child bands generally do not etch or produce their ain material, unless the members lobby hard plenty for artistic command. Nonetheless, some bands were created around the talent of a songwriter within the group like Gary Barlow of Take That or Tony Mortimer of E 17. It is not uncommon to detect actress songs on an album written by one or more of the ring members; still, their producers rarely use these every bit singles.

Since the 21st century, however, male child bands have been expected to write or at least contribute in some role lyrically to songs. Apart from the groups mentioned higher up who all had at least one primary songwriter from their start, other groups soon caught upwardly. At the close of the nineties, groups like Backstreet Boys and *NSYNC who had previously used writers like Max Martin during their early albums began writing their own songs.[49] [50] Newer groups from tardily 2000s such every bit JLS have all made a betoken from early interviews that they write their ain songs and hold their own image equally this is an important part of marketing. Some bands like The Wanted take even spent fourth dimension learning the craft of songwriting.[51]

Individuals can as well go along to achieve greater success as a solo artist coming out of a boy band having used the groups popularity to build on. Usually this signals the end of the group until potential future reunions. Examples of this include Michael Jackson from The Jackson v, Donny Osmond from The Osmonds, Ricky Martin from Menudo, Justin Timberlake from *NSYNC, and Ronan Keating from Boyzone. Sometimes the virtually successful solo star from a band is not the most popular member such equally Robbie Williams as opposed to lead singer Gary Barlow from Have That. Some boy band members have gone on to successful careers elsewhere in the media. Michael Dolenz of The Monkees went on to become a successful goggle box producer, working for ITV franchises such every bit LWT and Television South.

Music genres

Although most boy bands consist of R&B or pop influences, other music genres, nearly notably state music and folk music, are also represented. South 65 and Marshall Dyllon, for example, were both state music male child bands. Il Divo, created past Simon Cowell in 2004, are a vocal group that performs operatic pop in several (mainly Italian) languages. Since then operatic/classical boy bands have become quite popular and common, especially in the Great britain. Since 2001 at that place has been some crossover with ability pop and popular punk from bands that play live instruments. Simply recently some male child bands decided to get back to their original doo-wop roots, most notably, The Overtones.

Controversy

Since the 2000s, groups such as Backstreet Boys and LFO have disliked the term "boy band" and have preferred to be known equally a "male vocal group".[52] [53] Existence categorized amid boy bands was besides the master reason the Moffatts separate up.[54] Boy bands take been defendant by the music press of emphasizing the appearance and marketing of the group above the quality of music, deliberately trying to appeal to a preteen audience and for conforming to trends instead of being original. Such criticisms can become extremely scathing. Boy bands are oftentimes seen as being short lived,[55] although some acts such as The Jackson 5, Backstreet Boys, Man Nature, New Edition, SMAP, Shinhwa[56] and Westlife (before they dissever in 2012) take sustained lasting careers.

Best-selling boy bands

The following is a list of the best-selling boy bands based on claimed sales figures of over 40 million records:

Proper noun Nationality Number of members Years active Genre Studio albums Claimed sales
Backstreet Boys The states v → iv → five 1993–present (27 years) Pop x 100 million[xiv]
The Osmonds United States 5 1958–1980 (22 years) Pop 22 77 1000000[57]
The Jackson 5 United states of america 5 → half-dozen → 4 1964–1990, 2001, 2012–2013 (49 years) Pop/R&B xviii 75 million[58]
New Kids on the Block United states of america v → four → 5 1984–1994, 2008–nowadays (37 years) Popular 6 70 meg[59]
Bay Metropolis Rollers United Kingdom v 1966–1981 (15 years) Pop sixteen seventy million[60]
I Direction United Kingdom/Ireland 5 → four 2010–2016 (6 years; on hiatus) Pop 5 lxx million[61]
*NSYNC The states 5 1995–2002 (7 years) Pop 4 seventy million[62]
Boyz II Men United States 5 → iv → 3 1988–present (31 years) R&B 11 lx one thousand thousand[63]
Have That United kingdom of great britain and northern ireland 5 → 4 → v → 3 1990–1996, 2005–present (31 years) Pop 8 45 1000000[64] [65]
Westlife Ireland 5 → 4 1998–2012; 2018–present (23 years) Pop xi 45 one thousand thousand[66]

See also

  • All-female band
  • Daughter group

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Further reading

  • Maria Sherman (2020). Larger Than Life: A History of Boy Bands from NKOTB to BTS. Black Dog & Leventhal. ISBN978-0762468911.

External links

  • Boybands Radio – Only boy bands 24/7
  • Top x Male child Bands
  • Rolling Stone's The Best Male child Bands of All Time
  • Washington Times' Best Boy Bands
  • Billboard'due south 10 Biggest Boy Bands (1987–2012)

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Source: https://en.wikipedia.org/wiki/Boy_band

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