How to Change Prices on Fine Art America Web Site

(L–R): Artists Amy Sherald, Yayoi Kusama and Georgia O'Keefe. Photo Courtesy: Amy Davis/Baltimore Sun/Tribune News Service/Getty Images; Toshifumi Kitamura/AFP/Getty Images; Tony Vaccaro/Getty Images

If you've ever taken an art history class or spent time in a fine arts museum, chances are you know a lot about the men who "defined" their mediums. As with other subjects, most of what we learn about fine art history today notwithstanding centers on white men from Europe and, later, the United States. In reality, there are and so many more than artists of all genders to acquire from and capeesh.

Here, nosotros're specifically taking a look at but some of the women who have had lasting impacts on their art forms. From some of the art world's nigh iconic pioneers to its virtually unsung heroes, these women artists all had a paw — and, in some cases, withal accept a hand — in changing the world of fine fine art and how we define it.

Laura Wheeler Waring

Laura Wheeler Waring's portraits Anna Washington Derry and Alice Dunbar Nelson. Photos Courtesy: National Portrait Gallery/Wikimedia Eatables

Laura Wheeler Waring was an artist and educator who taught at Cheyney Academy in Pennsylvania for more than xxx years. After studying the work of painters like Cézanne and Monet while abroad, she returned to the United States, condign best known for her portraits of prominent Black Americans, many of which were painted during the Harlem Renaissance.

Cindy Sherman

Two photographs from Cindy Sherman's Untitled Moving-picture show Stills (1977–80). serial. Photos Courtesy: Museum of Modern Fine art (MoMA)

Photographer Cindy Sherman was part of the Pictures Generation during the 1980s, and is perhaps most well known for her series of Untitled Film Stills (1977–lxxx) — cocky-portraits in which Sherman "posed in the guises of various generic female film characters, among them, ingénue, working girl, vamp, and lone housewife" (via MoMA). In this series, and those that followed, Sherman used photography to question the media's influence over our individual and collective identities.

Yoko Ono

A still from the performance Cut Piece, 1964, and a picture of the installation Half-A-Room, 1967, as seen at the Museum of Modern Art in New York City in 2015. Photos Courtesy: Museum of Mod Art (MoMA)

You lot might showtime think of Yoko Ono as a musician and activist, simply she's also an accomplished performance and conceptual creative person. Ono was considered a pioneer in the performance art movement, earning the nickname the "High Priestess of the Happening".

I of her most revered works, Cut Piece, was a performance she start staged in Japan; Ono sat on stage in a dainty suit and placed scissors in front of her, and, in an act of daring vulnerability, invited audience members to come on stage and cutting away pieces of her vesture. "Art is like breathing for me," Ono has said. "If I don't exercise it, I get-go to choke."

Betye Saar

Betye Saar's Black Girl's Window, 1969 (full and detail). Photos Courtesy: Museum of Modern Art (MoMA)

Before becoming a printmaker and activist, Betye Saar studied design and was employed as a social worker. A printmaking constituent changed her entire career trajectory — and, in plough, part of the trajectory of art history.

Saar was part of the Black Arts Movement in the 1970s and, through painting and assemblage, critiqued institutionalized racism and the racist stereotypes white people held toward Blackness Americans. "To me the fox is to seduce the viewer," Saar has said. "If you can become the viewer to look at a piece of work of art, then you might be able to give them some sort of bulletin."

Frida Kahlo

People wait at Frida Kahlo'due south 1939 painting Las Dos Fridas at the World Forum of Culture in 2007, which was held in Mexico. Photo Courtesy: Alejandro Acosta/AFP/Getty Images

It'southward rare to find someone who hasn't at least heard of Frida Kahlo. A self-taught painter from Mexico, she is best known for exploring themes similar death and identity through her self-portraits. Kahlo frequently used bold, brilliant colors to create her symbol-rich works, and was regarded as one of the about influential artists of the Surrealist move.

Yayoi Kusama

A viewer photographs inside the Aftermath of Obliteration of Eternity room during a preview of the Yayoi Kusama's Infinity Mirrors showroom at the Hirshhorn Museum Feb 21, 2017 in Washington, D.C. Photo Courtesy: Brendan Smialowski/AFP/Getty Images

Yayoi Kusama started painting at a very young historic period, but she's likewise known for her hyper-real sculptures, polka dots, installations, and and so much more. Like many of her peers, Kusama embraced the counterculture of the 1960s, employing nudity in much of her work. Today, she continues to create works for her enduring Mirror/Infinity rooms series, which use mirrors and lit objects to create a sense of endlessness.

Amy Sherald

Erstwhile Kickoff Lady Michelle Obama (50) and creative person Amy Sherald (R) unveil Mrs. Obama'due south portrait at the Smithsonian'southward National Portrait Gallery in Washington, D.C. on February 12, 2018. Photo past Saul Loeb/AFP/Getty Images

Amy Sherald is an American painter and portraitist who depicts Black Americans, often doing everyday activities — something that became more mutual in portraiture writ large in the mid-19th century. Odds are that you recognize Sherald'southward work — and her signature grayscale skin tones — every bit she was the first Blackness woman to complete a presidential portrait for the Smithsonian's National Portrait Gallery.

Georgia O'Keeffe

In 1960, Georgia O'Keeffe poses outdoors beside a work from her serial, Pelvis Series Red With Yellow in Albuquerque, New Mexico. Photograph Courtesy: Tony Vaccaro/Getty Images

Known equally the female parent of American modernism, you likely associate Georgia O'Keeffe with her paintings of New United mexican states's landscapes, flowers, skulls, and, just perhaps, the skyscrapers of New York City. In the 1920s, she was the get-go woman painter to gain the respect of the New York art world, all by painting in her unique style.

Adrian Piper

Adrian Piper wins the Golden Lion for best artist in Okwui Enwezor's biennial exhibition All the World'southward Futures, function of the 56th Venice Biennale in 2015. Photo Courtesy: Awakening/Getty Images

Adrian Piper became a pioneering minimalist, feminist, and conceptual artist in 1970s New York Urban center. She used her work to question society, identity, and racial politics by enervating the audition to face up truths virtually themselves. She often challenged people on the streets of New York to gauge her race, socio-economic course, and gender — all while dressed equally a Black man with a imitation mustache and sunglasses, or while wearing compelling statements on her clothes.

Shirin Neshat

Shirin Neshat's poses in front end of a photograph in her exhibition Our Firm Is on Fire at the Robert Rauschenberg Foundation in New York Metropolis in 2014. Photograph Courtesy: Cem Ozdel/Anadolu Agency/Getty Images

Shirin Neshat left Iran in 1974 to study art in Los Angeles, California — before the Islamic republic of iran Islamic Revolution took place. She is best known for her photography, film, and video work, much of which explores the human relationship between Islam's cultural and religious systems and women. Moreover, Neshat's works oftentimes create a sense of solidarity and empowerment.

Jenny Holzer

Jenny Holzer standing in front of her installation at the Guggenheim Museum. Photograph Courtesy: Marianne Barcellona/Getty Images

Equally a neo-conceptual artist, Jenny Holzer'southward work focuses on words and ideas, which she puts on advertizement billboards, projects onto buildings and adds to electronic displays or neon signs.

These works display phrases that human action as meditations on various concepts, such as trauma, knowledge, and hope. One of her more notable works, I Olfactory property Y'all On My Peel, makes the viewer question what kind of sentiment the sentence conveys.

Rebecca Belmore

Rebecca Belmore's Fringe, 2008. Photograph Courtesy: Art Gallery of Ontario (Agone)

Much of Rebecca Belmore'southward art addresses identity and history — and, in item, houselessness and the voicelessness of the First Nations People in Canada. As an Anishinaabekwe artist, she works to raise sensation around the prejudice, violence, and attempted erasure of Indigenous North American culture. In 2005, she was the first Indigenous woman to represent Canada at the Venice Biennale.

Louise Bourgeois

A person looks at Louise Bourgeois' Spider. Photo Courtesy: Timothy A. Clary/AFP/Getty Images

While a prolific printmaker and painter, Louise Bourgeois is better known for her installation art and sculptures — like the spider above — which were inspired by her ain experiences and memories. Throughout her career, she created revolutionary works during a time when abstraction and conceptual art were the main styles shaping the art globe.

Mickalene Thomas

Mickalene Thomas' A Little Taste Outside of Dearest, 2007. Photo Courtesy: Brooklyn Museum

Heavily influenced past pop culture and popular art, Mickalene Thomas often embellishes her paintings with rhinestones and uses colorful acrylic paints. In her work, Thomas centers Black American women, whom she believes embody power and femininity.

Judy Chicago

Judy Chicago's seminal work The Dinner Party. Photo Courtesy: Brooklyn Museum

Judy Chicago was one of the major figures within the early on Feminist Art movement. As exemplified in her iconic work The Dinner Political party, her installation pieces often examine the role of women in history and civilization — in the 1970s and before. While at California State Academy in Fresno, Chicago founded the first feminist art plan in the United States.

Augusta Savage

Augusta Savage with ane of her sculptures in the mid-1930s. Photo Courtesy: Andrew Herman/Archives of American Fine art/Wikimedia Eatables

Augusta Savage was an American sculptor during the Harlem Renaissance who worked toward securing equal rights for Black Americans in the arts. In add-on to creating scenic sculptures, frequently of Black folks, Roughshod founded the Savage Studio of Craft in Harlem in 1932, and, a few years after, she became the get-go Blackness American elected to the National Association of Women Painters and Sculptors in 1934.

Carolee Schneemann

Photo Courtesy: Museum of Modern Art (MoMA)

Known for her provocative performance fine art practices, Carolee Schneemann is considered the progenitor of "body art". (Just await up her most famous work, Interior Scroll, and y'all'll see what nosotros hateful.) She used her body to examine women'southward sensuality and liberation from the oppressive aesthetic and social conventions established past our patriarchal society.

Nan Goldin

Nan Goldin'south Christmas on the Other Side, Boston, 1972. Photograph Courtesy: Wikimedia Eatables

Famous for her in-the-moment photography, Nan Goldin'south work challenges traditional power relations. In improver to documenting New York Metropolis's queer subculture post-Stonewall, Goldin explored the HIV/AIDS crunch, opioid epidemic, and LGBTQ+ bodies.

Elaine Sturtevant

Warhol's Marilyn Monroe (1967) by Elaine Sturtevant. Photo Courtesy: Ben Stanstall/AFP/Getty Images

Does this look like an Andy Warhol to you? Well, that'due south the idea! Elaine Sturtevant, who went past her last proper name professionally, was a conceptual artist known for her inexact replicas — that is, non-quite-right copies of big-name artists' work.

Some artists and critics encouraged her efforts, while others became quite angry. Nevertheless, Sturtevant used her works to explore the concepts of authorship, originality, and the construction of art culture.

Ruth Asawa

Diverse hanging sculptures by Ruth Asawa at the De Young Museum in San Francisco. Photo Courtesy: View Pictures/Universal Images Group/Getty Images

During the 1960s, Ruth Asawa created increasingly circuitous wire sculptures. A San Francisco-based artist, Asawa's last public committee was the Garden of Remembrance at San Francisco State University, which was created to recognize Japanese Americans who were interned during Earth State of war II.

Catherine Opie

Catherine Opie attends the 2007 Guggenheim International Gala on November 8, 2007 in New York City. Photo Courtesy: Shawn Ehlers/WireImage/Getty Images

Known for her studio, portrait, and landscape photography, Catherine Opie has been a photographer since the historic period of nine. She uses her photography to examine social norms, and, in doing so, displays various subcultures in formal portraits — just in a fashion that conveys power and respect past evoking traditional Renaissance portraiture.

micha cárdenas

Still from Sin Sol (No Sun) VR game. Photo Courtesy: micha cárdenas/YouTube

micha cárdenas is an artist, writer, theorist, and assistant professor who won an Impact Accolade at the Indiecade Festival in 2020 and the Creative Award from the Gender Justice League in 2016. She believes education is the path to liberation and uses VR and fine art to address global bug such every bit racism, gendered violence, and climatic change.

Lee Krasner

Lee Krasner: Living Colour exhibition at Barbican Art Gallery on May 29, 2019 in London, England. Photo Courtesy: Tristan Fewings/Getty Images for Barbican Art Gallery

Lee Krasner was an Abstract Expressionist painter who also specialized in collaging. Her works capture a spirit of relentless reinvention, from her Cubist drawings and assemblage to her portraits and murals for the Works Progress Assistants (WPA).

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